Alongside
Richard Deacon and
Tony Cragg, Bill Woodrow was at the forefront of a slew of British sculptors who rose to prominence in the late 1970s.
Woodrow's work is characterized by the use of a wide variety of found objects that are then altered in peculiar ways. His work is interesting and also quite funny with an almost childlike fascination with the diverse ends to which an individual object can be made to serve.