Ian Davenport is clearly fascinated not only by the colour of paint but also by its physical properties. His huge multi-coloured works are created by letting the paint run down the canvas. These works examine the balance between the the natural world's tendency towards the random and the artist's desire for control.
Whilst the process of creating this kind of painting must be a little bit tedious (a bit like watching paint dry?) the results are consistently engaging: vibrant, textured, and rhythmical. Like a more mathematical Jackson Pollock, or a less anal Bridget Riley.
As the art world drools over the Royal Academy's massive exhibition of landscape works by David Hockney, just round the back on Cork Street, Alan Cristea have their own well-timed exhibition of works by...
Everyone's been getting rather excited about this David Hockey exhibition at the Royal Academy - primarily because the tousle-haired artist has been making some recent works using an iPad, which is apparently...
A new exhibition of work by French photographer Lise Sarfati at Brancolini Grimaldi this February and March. The new works explore issues around the construction of identity. Until 17.03.12.
New work by Toby Ziegler at Simon Lee this January and February. Ziegler;'s last two shows have seen the artist begin with 3D digital modelling before moving into painting and scultpure. Until 25.02.12...
An exhibition of works by contemporary artist Philippe Pasqua, "the French Francis Bacon", at Opera Gallery this January and February. Look out for Pasqua's painted human skulls. Until 15.02.12.
With resident DJs spinning Northern Soul, Motown and old fashioned blues each and every Thursday, Keep it Moving is one of chicest club nights out there.
New film and photographic work by contemporary artist Bridget Smith at Frith Street Gallery this winter. The works on show explore the symbolic power of feast day rituals in a small village in Galicia...