Ian Davenport is clearly fascinated not only by the colour of paint but also by its physical properties. His huge multi-coloured works are created by letting the paint run down the canvas. These works examine the balance between the the natural world's tendency towards the random and the artist's desire for control.
Whilst the process of creating this kind of painting must be a little bit tedious (a bit like watching paint dry?) the results are consistently engaging: vibrant, textured, and rhythmical. Like a more mathematical Jackson Pollock, or a less anal Bridget Riley.
As part of his latest exhibition at Hay Hill Gallery, artist Jamie McCartney presents a large-scale wall sculpture entitled, charmingly enough, The Great Wall of Vagina - which consists of a an entire...
Few things bring a smile to the faces of Spoonfed's Arts Editor quite like the news that Julie Cockburn has a new show on. Thankfully he can have a happy summer, because the Cork Street branch of Flowers...
This summer sees the Royal Academy present a re-evaluation of the life and works of eighteenth century artist Johan Zoffany. Born inear Frankfurt in 1733, Zoffany moved to Britain in 1760 and produced...
A rather well-timed exhibition at Sprovieri as the gallery puts on an exhibition of works on paper by Italian artist Alighiero Boetti that coincides with Tate Modern's major Boetti retrospective. Until...
Clearly something innovative is afoot in the world of photography.At the same time as Zoe Leonard is turning Camden Arts Centre into a giant camera obscura, there's also an exhibition of camera-less photography...