Man-of-the-moment and 'the future of Shakespeare' Rupert Goold directs a brutal King Lear.
This show has a lot of elements to appeal to the youth demographic. Pete Postlethwaite (Lethal Weapon 2, The Usual Suspects) graduates from playing terrifying henchmen to bring the mad King to life as a tragic industrialist. The setting is the dawn of the Thatcher era, giving the show a retro backdrop and an excuse for the cast to wear leather trenchcoats and strut around like greedy gangsters.
Not only that, it's directed at cracking pace and whips through this enthralling, exhausting descent from glory to madness in around three hours.
Can Themba's story of a husband's revenge on his cheating wife has been turned into a musical play by Peter Brook and Marie-Helene Estienne. When a young South African worker finds his wife in bed with...
“Hope is the enemy of
reason” says a Nazi to a Jew in Michael Ashton's The Beekeeper.
It's a line which, for me, sets the focus of the story and so clever
are Ashton's metapho...
The Duchess finds herself widowed and tied to her two brutish brothers who refuse to let her remarry so they can keep a hold on her inheritance. The discovery of her relationship with Antonio, her steward...
Lisa D'Amour's play about two American couples transfers from The States to National Theatre this May. She pairs straight-laced, middle-class Ben and Mary with their recovering junkie neighbours Sharon...
An exhibition of enigmatic photographic works by Edgar Martins this summer. After debuting earlier this year at one of London's most brilliant gallery/restaurant spaces - the wonderful Wapping Proj...
Nominated for the Edinburgh 'Best Newcomer' award last year, Boy With Tape on His Face is a truly innovative, brilliant comedy act, one you rarely get to see on the comedy circuit these days. A combination...
Glammed up, old school vaudeville circus comes to town with magicians and musicians in tow. The show includes Circa, La Clique and Acrobat and Circus Oz who put on one hell of a spectacle. Seriously fun...