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A tough-as-nails World War Two espionage drama staged in a crumbling warehouse space in Shoreditch, Mincemeat is the story of a nobody who changed the course of the war. Read Kate's review; she liked it.
Sadly, our hero never knew how much he had contributed. It was his corpse, disguised as a crashed pilot and handed over to the Nazis by 'neutral' Spanish agents, which was used to dupe the Bosch.
Atmospheric multimedia theatre in a warehouse. If it's anything like as good as Stovepipe, it will rock your world.
One of the greatest thrillers of the 21st century has been adapted for the stage by Patrick Barlow. The performance holds up well to John Buchan's original novel, with a fine cast and fantastic set helping...
Two artists make use of textiles to explore issues around labour, capital, politics and trade at Rivington Place this spring. Alice Creischer presents an installation inspired by a trip to India, whilst...
Ray Exley curates an exhibition of contemporary photographic works this January and February at Charlie Smith London. The exhibition examines the medium's relationship with stillness, movement and time...
Let people know how edgy you are with the new Shoreditch loyalty card! No, really. Such a thing exists.If you sign up to the '1of1000s' card, you are entitled to discounts at plenty of Shoreditch establishments ...
Diana Vickers gives fans a taster of her new independently-released album, the follow up to her number one album, Songs From The Tainted Cherry Tree, which also included the number one single, Once.
An authentic Cuban night where you can dance the night away to top DJs playing the cream of Cuban music & listen to top UK based Cuban musicians performing live.
A Glasweigen duo who seem poised to lay a emotional, dubstep influenced pop assault on our charts any day now, Midnight Lion play the Hoxton Square Bar and Kitchen tonight supported by Look, Stranger!...
Matilda Strang curates a collaborative exhibition at Standpoint this January and February. Screening features the architectural practice of Joe Watling with John Lawrence's video work. Until 18.02.12.