Somebody (who could it have been?) once described photorealism as a 'fascinatingly pointless genre' and to some extent this is backed up by the works of Tjalf Sparnaay, who has a solo show at Plus One Gallery this July.
Sparnaay paints boring everyday things - a half-empty bottle of ketchup, a fried egg, some leaves, or a shrink-wrapped chicken - but with such exquisite attention to detail and high nacreous shine that they are somehow both disgusting and fascinating. This is food (and indeed art) as slick plastic commodity.
Olivier Award winning writer, Bola Agbaje, explores two different cultures and the idea of marrying the two together. Thankfully she goes beyond a clichéd look at interracial relationships and overly...
In 1967 we meet Kenneth and Sandra just as he steals her away from his older brother Henry. Their heady romance precedes their days as part of the baby boomer generation when they spawn Rosie.
B...
Interesting. After years - decades even - of almost completely ignoring photography as an artistic medium, Saatchi has performed a volte-face worthy of the coalition government and decided to mount a major...
The perfect brand collaboration: yes, it's Google and the Saatchi Gallery. This summer the ad man's gallery plays host to shortlisted works from the internet search giant's photography competition. Until...
A quintessentially British start to the Summer. The Chelsea Flower Show is a must for gardeners but the sheer variety of gardens and displays make it equally as fascinating a delight for anybody else too...
Natasha Kissell does evocatively dreamy landscapes, with a hint of something gently surreal, like a child-friendly cross between John Stark and Wieland Payer. She has a solo show at Eleven Fine Art this...