It's been all change in Parts and Labor town recently. Hailing from Brooklyn, the band has not only lost their
drummer Christopher R. Weingarten to a budding media career, but
they've also added celebrated New York sound artist Sarah Lipstate as a
new guitarist, which has really meddled with their sound.
Last
time I saw these guys, they were a happy no wave band not to dissimilar
to TV on the Radio, but on recent listens it seems that they've
wandered into the arenas of noise rock. Therefore, I'm filled with a
certain amount of trepidation as we head down to Corsica Studios to watch them play an edition of Baba Yaga's hut with Screaming Tea Party. Will they still be any good? Will the new stuff work? Is the beer expensive?
We
get there to catch the end of Screaming Tea Party's set, and they're
right in the middle of some catchy as hell art rock. There is something
quite Sonic Youth-esque about this band, especially when Nell sings and
I feel a little bummed out to have missed the start of their set.
Oh
well, one beer later and Parts and Labor are taking the stage. It takes
a couple of songs to get going but when it does all my worries
disappear. This totally works live, the drumming's still crazy, there's
still pop hooks all over the place and although it's a little bit
'conceptual' in places, the band still manage to keep it from getting
in the way of great songs.
I'm not really with the idea that
musical development kills bands. It makes them sound different, but
different doesn't always mean crap. By the time Parts and Labor are
finishing up, I'm of the opinion, 'hell, leave these dudes to whatever
they want'. They could decide to make sonatas out of waste paper bins
and knitting needles and it would still be amazing.
I leave at
the end with my faith in Parts and Labour renewed. Yeah, they're still
the best band nobody's heard of, and yeah, the new stuff completely
rules. The beer wasn't that bad either.
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