For reasons too boring to elaborate I was almost paralytically drunk by the time Acoustic Ladyland began their set at The Vortex. As a result most of what I remember is jumping up, down, and quite frequently sideways, thinking – "Wow! This is the shit! This is THE SHIT!" which undoubtedly contrasts favourably with the last time I jumped around this much, when I was out of (or maybe just below) my mind, at a Girls Aloud concert (I was courting), suffering the recurrent thought, "Ow! Ow-ow-ow-ow! This is shit! This is hellishly shit!” and of being about one Jameson away from trying to saw off my ears with my car keys. And straightaway I apologise for mentioning that dross here. They might be nominally in the same industry but they're about as equivalent to Acoustic Ladyland, as a toaster is to the Hubble telescope. Because last night the 'jazz-rock/neo-punk/sax-metal/post-beatnik/Hendrix-meets-Coltrane/ ultimately unclassifiable/unputdownable' quartet were typically awesome and Hey! Just remembering them now is vacuum-packing my Vesuvian hang-over.
Without guest vocalists on this occasion, Wareham's sax – part singing dentist's drill, part jiving refrigerator truck, part abandoned screaming orphan bonobo – played the epergne on the table top of Rochford's master-class drumming: solid as oak, rococo as the Ottobeuren Basilica. Throw in Ruth Goller's steak-knife bass and Cawley's keyboard varnish and we were being invited to admire a musical tableau fit for the Last Supper. Acoustic Ladyland were furious, loud and devastatingly original. A carpe diem cacophony fit for a king. I haven’t enjoyed a gig as much since seeing Gogol Bordello six months ago.
If you're an Indie kid who wants to know all about jazz but have been too scared to ask; here is the place to start. Their next gig will be April at a hush-hush venue they hope to announce on their myspazz soon.
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