Ang Lee’s latest film is an innocent little tale about a young guy who inadvertently brings the Woodstock festival to his one-horse town of Catskills.
His Russian Jewish penny-pinching parents run a dilapidated motel El Monico. Close to bankruptcy, their overworked son shows the Woodstock organisers round the local grounds. The village doesn’t know what’s hit it.
It’s a sweet comedy portrayal of the era, full of pleasingly stereotypical hippies, nudity and colourful acid trips. The only gripe I have is that the narrative remains very much removed from the action of Woodstock.
There are some amazing festival scenes – some of them re-enactments of genuine footage – but you don’t get to hear any of the music which made the event so monumental. The main character Elliot doesn’t even make it to the main stage – but gets waylaid by a pair of comedy trippers who spend the night inside their van rather than getting involved where the action is.
That said, the comedy interactions between the straight-laced village folk and the flower power hippie kids is funny. It warms the cockles with its portrayal of the amazing power of a collective effort – and of the human desire to have a good time. The ‘three days of peace and music’ also involved weeks – months – of chaos for this little village.
Overall, it’s a sweet if somewhat lightweight portrayal of the events - which humanizes the massive operation that was the iconic Woodstock festival.
Taking Woodstock will be in cinemas November 13th. Find out more at www.takingwoodstockthemovie.co.uk
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