*Single of the Week*
Dan Le Sac vs. Scroobius Pip – Letter From God To Man
Sunday Best
Absolutely
inspired this – It features the voice of God, leveling with man in
Pip's trademark cockney rhyme. The address begins in a touchingly
stuttering way: 'Hey there, how's it going? Long time no... see', and
goes on, astutely and matter-of-factly parading man's successes and
failures.
The fervent, looped 'Planet Telex' riff builds as
Pip's rhyme gets faster and more furious, until the blow dealt by the
final line leads to the resolution of Thom Yorke's spine-tingling
vocal; 'Everything is... broken.' Completely brilliant. LC
The Pigeon Detectives – Everybody Wants Me
Dancetotheradio
What
is it with The Pigeon Detectives? They've been peddling the same
'exuberant youth mixed with the trials of growing up' dross for years,
they have a terrible name and every tune seems to be recycled from the
Kaiser Chiefs' B-sides.
The second single from 'Emergency' is no
different, and is basically about gaggles of groupies lusting after
singer Matt Bowman, while he fails to steal the heart of the girl he
truly loves. Aww, bless. Fuck off and take your poodle perm with you. MF
Micachu – Golden Phone
Accidental
This
one is quite interesting: it's as if Michachu have tried to write the
perfect soundtrack to a T-Mobile advert. They've even called it 'Golden
Phone', just to make sure advertising execs take note.
The
saddening thing is that this would actually be quite a good left-field
pop song if it didn't have those gratingly twee vocals. They make me so
mad, but at least I know what to expect the next time I'm on hold for
20 minutes trying to get an upgrade. DH
You Me At Six – Gossip
Slam Dunk
My
friend has been saying for ages that You Me At Six are really good. I
had begun to suspect that he might be a total idiot, and having
listened to their latest single, I now know for sure that he is.
'Gossip'
follows the standard Fall Out Boy blueprint of simple loud riffs and
nasal warblings about erectile dysfunction or something. It's like
Pink's 'Leave Me Alone' sung by the short one from Busted. But somehow
even shitter. TJ
Nick Cave & The Bad Seeds – Midnight Man
Mute
From
the brilliant album 'Dig!!! Lazarus, Dig!!!' this is an astute choice
of single, with a simple, singable chorus but layer upon layer of
driving organs, calypso high notes and slide guitars. The song is
immediately infectious and with so many excellent Seeds musicians on
point, resembles a better organised, less obviously anthemic Arcade
Fire number, but with more pace and Cave's trademark gruff vocals.
Unusually upbeat and lyrically simple, 'Midnight Man' is an accessible showcase for this experienced, complex genius. JH
Sam Sparro – 21st Century Life
Island
A
far cry from chart sensation 'Black and Gold', Sparro's latest single
is highly anticipated but doesn't quite cut the mustard. Opening like
'Sunny' by Boogie Pimps, the tune tumbles forward with a slap-bass beat
and storyline lyrics about life as we know it.
Sam must have
forgotten that the 21st century was the buzzword of, say, eight years
ago. Ridiculously described as soulful, the Aussie twang in the
over-processed vocals is sure to strike a nerve. It'll hit the charts
but be a distant memory within weeks. SS
The Script – The Man Who Can't Be Moved
RCA
I
hate romance. Every time I do something romantic it always ends in
humiliation. At school once, I thought it would be a good idea to buy
flowers for a girl and ask her for a date. She laughed in my face.
Therefore
any song that talks about stupid and completely unfeasible romantic
gestures – like sitting outside a love interest's house for weeks on
end – makes me want to vomit like a person who just ate a five-week-old
McDonald's breakfast. This song is really, really shit. DH
Violet Violet – Bring! Bring! The Morn and Bike Till Dawn EP
NR One Records
Violet
Violet are what happens when three girls grow up in the provinces on a
diet of The Slits, Siouxsie and Shampoo. Sure, the stench of 'novelty'
is never far away, but their third EP is a perfect snapshot of their
knack for catchy and mindless punk.
'One Little Problem' is
definite single material, but our favourite is 'Twin on Twin', a song
that starts out like a cover of 'Teenage Kicks' before descending into
a scream-off between the main pair. It's not big or clever, but that's
what makes it great. MF
Pendulum – The Other Side
Warner
This
latest effort from Pendulum must surely seal their doom with faithful
drum 'n' bass fans. Whilst previous release 'Propane Nightmares' tried
to morph d&b with rock this is just incredibly bad pop, with the
synthesized vocals sharing a worrying similarity with Cher's 'Believe'.
The
energy that was so prevalent and made drum 'n' bass more accessible for
the masses in 'Tarantula' and 'Slam' is completely lost here in
something that is too dull even to be irritating. EM
The Saturdays – If This Is Love
Polydor
Entirely
based on Yazoo's 'Situation', the first fifty seconds of The Saturdays'
career are promising, crisping up the original to give 'If This Is
Love' a dry, electronic fizz. But when the song pulls an unnecessary
chorus manoeuvre, it feels like five girls in the back of a Mini that
doesn't have the power to get through.
Kylie knows how to bring
the permanently deferred climax to pop (see 'Slow'); this is just a
wasted opportunity to take a leaf out of her book. RH
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