*Single of the Week*
Styrofoam – Bright Red Helmet
Nettwerk
Haha,
best song title, ever. Apart from that, this is a great big slice of
electro-emo with extra pop and a bit of whipped cream on the side. It
sounds a bit like more dancey version of The Postal Service, or even
better, HelloGoodbye jamming with The Lightning Seeds.
I can
kind of imagine dancing triumphantly to it with the hottest girl at
school prom, even though I’m a massive waster that everybody thinks
will amount to no good. DH
Cascada – Because The Night
Allaroundtheworld
It
was rumoured in April that Chris Martin was to work with Cascada. Is
this the result? The record brings to mind nothing so much as the
martial aesthetic of Slovenian pranksters Laibach. It's not that it
explicitly references extreme politics, but some records just sound
totalitarian.
On the face of it, the romantic subject matter
contrasts with the unnerving chanting and marching-band drum rolls. But
nonetheless, there's something oddly appropriate about lines like
'Desire is hunger, it's the fire I breathe/Love is a banquet on which
we feed'. RH
The Ting Tings – Shut Up And Let Me Go
Columbia
I
was browsing in a rural Catalonian supermarket recently when a dreary
sound came spewing forth from the tinny Franco-era speakers. Though the
dirge was barely audible among the angry Latinos shouting at their fat
children, the sound was unmistakeable – The Ting Tings had gone
international.
You'll know this song already from the iTunes ad.
The guitar hook – mercilessly pilfered from Chic – is the only good bit
and Katie White's vocals (lustful indie boys beware – she's nearly 40)
make me want to stuff my ears with Blu-Tac. If you buy this, you are
part of the problem. MF
Das Pop – Underground
RCA
The
intro to 'Underground' is anything but – fairly bland pop/rock stuff
with monotonous string plucking behind it but it does significantly
improve by the chorus.
You can imagine a load of teenage girls
jumping on their beds and screeching 'I'm going underground!' into
their hairbrushes while this blasts out of some boogie box in the
corner. Light, fluffy and probably quite catchy pop. If you're more
into your electronica, the Busy P remix packs a harder punch. EM
Plump DJs – Disco Unusual/Snake Eyes
Finger Lickin' Records
You've
got to love the Plumps. Well it's not actually law but they are good at
what they do: very heavy breaks. There's not much that's new about this
double A-Side, though both tracks feature funky live drum breakdowns
which nicely compliment the stabbing basslines.
Disco Unusual is
the more 'hands to the lasers' of the two with rising keyboards and
both feature sirens, swampy sound effects and sinister samples. Very
good, but that much better when you're fucked. JH
John & Jehn – Fear, Fear, Fear
Faculty
New
single from French couple band John & Jehn splutters into life with
a jangly lo-fi 'bof' indifference. Jehn's vocals are like a flatter,
breathier version of Brigitte Bardot on Segre Gainsbourg's 'Bonnie
& Clyde', with that kind of dreary off-key thing that Nico rather
perfected. Somehow it's so devoid of care that it's both haunting and
charming.
With a wee bit of poppy drizzling and some eerie
electronic sprinkles over Doves' 'There Goes the Fear', this could be
shit but actually really works. TJ
Noah & The Whale – Five Years Time
Mercury
The
answer to a summer hangover after too many Pimms and lemonade, Noah and
the Whale's latest track screams sunshine with the right amount of
twee. Maybe it's the reliance on the ukulele, whistled melodies or the
well-utilised hand claps that makes you press repeat on the stereo.
A
blend of folk and storyline lyrics, the collaboration with
recently-departed lead vocalist Laura Marling saves the song from
obscurity and can only be described as 'cute'. This will take a while
to get annoying, though it still will. SS
Andy Hunter – Stars
Nettwerk
Maybe
it's hearing this on the tail end of an especially sleepless weekend
but this track is so terrible it actually sounds like a parody of bad
music.
A euphoric, trancey backing track with some guy heavy
breathing about the 'stars in the sky' over the top. At the time of
writing it's number six in the UK Club Charts, and this only serves to
reveal the absolutely dire state of most UK clubbers' CD collections.
Harsh but true. LC
Tinchy Stryder – Stryderman
Island
There's
been plenty of debate over whether Wiley's 'Wearing My Rolex'
constitutes grime, but as far as Skepta, Dizzee Rascal and Tinchy
Stryder are concerned, it's obvious that it sounds mostly like cash
registers in HMV.
'Stryderman' fits into a line of good-time
crossover efforts – mainly about being hit on in clubs – except that
instead of straight electro-house, it's more of a slow grind
reminiscent of the Ed Banger sound. The whole idea makes grime fans
uneasy, but given the lyrical content it's a pretty neat concept, if
you think about it. RH
Late Of The Pier – Heartbeat
Parlophone
It
might be the fact that there are a million indie-electro bands out
there, or that prog-lite only yields a few tangents, but Late at the
Pier have kind of experimented themselves into a hole of late.
Like
most of their other offerings, 'Heartbeat' has that whole 80's hair
metal meets italo-disco thing that they always do. Oh well, at least
the video has an amazing scene where their heads explode. Awesome! DH
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