Fightstar may be famous for one reason. When a certain member
of your band was in one of the biggest pop acts in England of the new Millennium,
you can't help but attract some attention. Five years later however and
Fightstar have well and truly shown that they are a force in their own right. With
three successful albums, a host of sold-out tours and having left their label
and going it alone, the band seem to be unstoppable.
For me, interviewing Fightstar is an exciting thing.
Mainly because I have three pages of Busted related questions to ask Charlie.
So it's probably a good thing that Charlie's excused from interview duty for
the day to save his throat for the evenings gig. Instead we have the pleasure
of drummer Omar Abidi who turns out to be a very nice man. So let's have a nice
chat about the new album, who's the biggest idiot in rock and Charlie's
eyebrows...
Hey Omar, how's the tour going?
Really great. It's been an awesome tour, was just a shame we
had to postpone yesterday because Charlie's throat got really coarse after the
Exeter show. But he's all good for tonight.
You broke your hand at the end of last year, is it better
now? How did it affect the album?
It's all back to normal now. It was a tough time for me, but
Charlie really pulled through and we finished the album. He recorded about six
of the drum tracks, so pretty much half of the album, but some of the tracks we
had to do together, some of the pedal work for example which he was wasn't so
accustomed to.
Some would say the new album is a little more commercial
than your last efforts. Was that deliberate or did it just come about?
I think it just came about really. The really intention was
to make something a bit more dramatical, a bit off the wall for us, not
necessarily your stable Fightstar song. We had so much more freedom after being
separated from our last label and doing it off of our own backs. This album for
us is the most satisfying album we've ever written. We very proud of it.
Did you write this album in the same way as the last ones?
Pretty much, it's just with this one we had a lot longer. It
was much more spread out. We had some studio time, then toured, then some more
studio time, then Christmas and then went back into the studio to polish
everything off. We also got in Audrey Riley the string composer, she's worked
with Muse and Coldplay, bands like that, so we started writing around the
strings so the songs became an entity that united with the strings rather than
rock, with strings slapped on. It became more theatrical.
At the end of Grand Unification, on the track Grand
Unification Part 2, there's some guy talking about black holes. What's that all
about?
Well, the whole idea of that album was that it was a dream
sequence, so it starts with ‘To Sleep' and ends with ‘Wake Up' and the whole
album is a dream about the devastation of the world. I always find the closer
you are to waking up the wilder your dreams are, so that's why you always get
those shocking moments where you're like ‘fuck, what was that about?' So we
wanted an extreme concept like black holes to appear at the end of the album.
You're playing Download again. How did your first year
playing there feel?
We didn't go down so great for the first two or three songs
and by the end of it, to finish on rapturous applause, it was one of the most
triumphant moments of my life. We're feeling really good about this year.
Where did the name Fightstar come from?
Well we were trying to think of names, and someone came up
with Time To Fight, and someone came up with Evenstar, so we just spliced the
two together.
Last time I saw you you had fire dancers. Any of that
happening tonight?
Yeah, that was awesome. We wanted fire-breathing midgets,
but they were out. We just thought, fuck it, let's do something extravagant. We
always like to do something special for London shows when the budget permits
and the stage is big enough. So none of that tonight.
What made you release your B-side compilation, Alternate Endings?
Some shmuck at Gut Records. It wasn't our decision to
release it and Gut Records wanted to get every last drop of money out of us
before they went into receivership and so they made us release it. We could
have publically gone against it, but it just didn't make sense. It's not a bad
album, there are some great b-sides on there, but it's something that's not
really us. Maybe after five, six albums at the time you can start doing that.
But not after two. There were a lot of discussions and a lot of meetings that I
refused to turn up to at the time
Best band you've played with?
Probably Oceansize. They supported us two years ago. They're
good guys. I think they're poker hustlers though, they acted as if they didn't
play poker, but there was some game running there I tell you...
And who's left that you want to play with?
Deftones. If I got to play with Deftones, that'd be it, you
could stick a fork in me.
Have you met anyone who was a complete dick?
Heh, yeah, didn't really meet them. Just saw them strutting
down the hallway in the studio with this bleached blond Barbie about four paces
behind him and then four paces behind her the rest of his band. What's his
name? The guy from Disturbed. He, to me, looks like a knob-jokey.
Most Spinal Tap moment?
We got lost once on the way to the stage, no lie! It was HMV
Birmingham. We could hear the fans and we were just going round in circles!
Do you ever get tempted to shave off Charlie's eyebrows?
No no, not at all. That's always been a bit of an outside
joke rather than an inside one. I'm thinking of shaving all my hair off though.
I've been talking to places that you can donate hair and stuff...
So you heard it here first. Dave Draiman ‘looks like a
knob-jokey' and Omar Abidi's hair will be auctioned off for charity. You've got
to be a certain type of person to bid for that...
Fightstar's new album 'Be Human' is out now.
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