London Arts
15 December, 2008
by: Tom Jeffreys
2008: The London Art Scene in Review
Well, what a year it's been. 2008 is now drawing to a close and I'm doing a little round-up of the best and worst of the London art world over the course of the year. We've had cracking big-budget exhibitions, the emergence of some genuinely exciting young talent and the opening of the big new Saatchi Gallery. There's been art fairs, art festivals, and art auctions, death, sex, religion and poo. In fact there's very little that London hasn't witnessed this year. So here goes...
Best exhibition For me, this is between
Francis Bacon at
Tate Britain and Life Before Death at the
Wellcome Collection. But, as much as I like Bacon and as slick as the show was, I don't think anything could come close to Walter Schels and Beate Lakotta's intense and moving exhibition at the Wellcome Collection. Probably the best thing I've ever seen.
Read Tom's review of Francis Bacon at Tate Britain.
Read Tom's review of Life Before Death at the Wellcome Collection.
Most exciting young talent
This is a toss-up between controversial Muslim feminist
Sarah Maple and innovative artist/curator
Katie Guggenheim. Maple had her debut solo show at
SaLon Gallery in October: it was simultaneously hilarious and thought-provoking, and confirmed the arrival of a new art star. Guggenheim was pretty busy throughout the year, with exhibitions at
Wallis Gallery,
FormContent,
auto-italia and
Martin Creed's old flat on Brick Lane. Expect great things from both of these two.
Read Tom's review of The Dark Show at FormContent.
Read Tom's interview with Sarah Maple.

Sarah Maple, 'Have You Wanked Over Me Yet?' Digital Print, edition 1 of 1, 2008
Oddest event
This one is won hands-down by Russian protest artist
Alexander Brener who interrupted a lecture on Extreme Curating at the
ICA in September by dropping trou, and defecating in
Stewart Brisley's
glass of water. Responses ranged from shock, laughter and disgust to
genuine thoughtfulness. When something like this happens, you don't
need any other anecdotes for the rest of the year.
Read Tom's review of Extreme Curating at the ICA.
Biggest new arrival
Hats off to the new
Saatchi Gallery for this one. Thanks to a collaboration with Philips de Pury, the new
space near Sloane Square is the largest completely free art museum in
the world. And although the inaugural exhibition was a trifle
disappointing, this is still a welcome addition to the London art scene.
Read Tom's review of The Revolution Continues, the inaugural exhibition at the new Saatchi Gallery.

Image courtesy of Jim Linwood
In
a year when banks went bust, Woollies shut and the term 'credit crunch'
got used by every journalist with nothing else to write about, Roman
Abramovich nonetheless shelled out £86.3 million in May for
Francis Bacon's Triptych, and
Damien Hirst netted himself a cool £111 million by auctioning off a load of stuff at
Sotheby's in September.
Read Tom's ill-informed response to the economic strife.
Loss
Meanwhile, the death of Hirst's fellow YBA Angus Fairhurst in March was a shocking loss to the art world. On the day after his critically acclaimed solo show at Sadie Coles came to a close, his body was found in a remote Scottish woodland: he
had hanged himself. Fairhurst made his name with a series of witty
conceptual works in the early nineties, but his last exhibition was an
altogether starker and more sombre affair.
Read Tom's review of Angus Fairhurst at Sadie Coles.

Angus Fairhurst, 'Fata Morgana' 2008 © Sadie Coles
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